From the River Irwell
to the Manchester Ship Canal
to the River Mersey
to the Irish Sea
The mouth of the River Krathis
to the Gulf of Corinth
to the Ionian Sea
to the Mediterranean Sea
From the Longcote Burn
to Eddleston Water
to the River Tweed
to the North Sea
The tide at Vene di Bellocchio
to the Adriatic Sea
into the Mediterranean Sea
From the Århus River
into the Kattegat
to the North Sea
From Bonaly reservoir
to the Pentlands catchment
to the Water of Leith
to the Forth Estuary
to the North Sea
From Weihwiesenbach creek
to the Elsenz river
to the Neckar river
to the Rhein river
to the North sea
From Bo’ness foreshore
to the Firth of Forth
into the North Sea

'FLOW LINES' 2020
Deirdre Macleod's 'LandMark' Residency


In human geography, flow lines record the movement of people, such as commuters or migrants, between one place and another. In physical geography, flow lines on oceanographic maps describe how ocean waters circulate around the world.

'Flow Lines' is a set of six performance pieces for anyone, anywhere, to perform. The six pieces draw upon minor gestures observed during the current period of immobility and social distance. Each starts from a score (a document which communicates the intention of the piece, but which is open to interpretation by the performer). It is up to the performer how, where and when they perform each piece and whether they make any sort of record of their performance.

 

Deirdre Macleod has a longstanding interest in how cities work and how those who live in cities experience them. Her current research explores how gesture-based performance might help tell the story of cities. She starts from the premise that movement-based performance is a form of enquiry which can help make sense of lived experience and create new forms of knowledge.

Since the emergence of the Coronavirus, and particularly since lockdown, we have moved differently within public space. Time outside has become precious and, often, solitary and we are still unable to visit, and be physically close to, those with whom we do not live. At the same time, the pandemic has highlighted the importance of urban public space to individuals and communities.

Designed as works for people to perform on their own (but in concert with others at a distance) each piece of work within Flow Lines draws upon observed gestures by solitary individuals. These movements and gestures have been observed within Portobello during the recent period of social distancing.

Each will explore an aspect of the more solitary condition in which we find ourselves at the moment, reflecting our current separateness and our desire for connection.

A short set of instructions for performing each work will be published online. Anyone can follow the instructions and perform the work.

Deirdre will also be approaching other people across Scotland, the UK and internationally to invite them to participate in these performative works, to record their responses and, in dialogue with them, to develop ideas for further projects that will be published as part of the Flow Lines series.

The first two Flow Lines scores are detailed below. Scores for new pieces of work will be added on this page on the 15th day of each month until November 2020.

You are welcome to take a photo of yourself performing any of the pieces. Please send it to: beneathourfeet2020@gmail.com detailing the location of the place where the work was performed (name of sea/river/canal; nearest town; country). If you use social media please also post your image with hashtag #flowlines @artwalkporty




'FLOW LINES (1)'
June 2020

On your own, and maintaining a self-isolating distance of at least two metres from anyone nearby, make your way to a sea, or ocean, which is near you. If you live far from the sea, make your way to a nearby stream or river. A canal is also fine, as long as it eventually joins the sea. Take off your shoes and roll up your trousers. Stand in the sea, river or canal.

Bid goodbye to the water which laps around your ankles. Wish it farewell as it flows to other countries’ shores to meet the people who may paddle there.

Put your hand in the water and shake hands with all of those who are now linked to you by water, but whom you cannot visit, at the moment, by land or air.

 

'FLOW LINES (2)' Shadow Play
July 2020

On a bright, sunny day, go for a walk on your own.
Choose a time that is neither too early nor too late in the day.
Look for your shadow.
Take your shadow for a walk. Try to keep it in your sight.
Watch as your shadow slides up walls, falls into the road and breaks up among long grass.
If your shadow fades, wait for it to return.
Take your shadow to play on (the shadows of) the tops of lampposts, railings and trees.
Walk so that your shadow mixes with the shadows of other people.
When you have finished, say goodbye to your shadow and walk home.

 

'FLOW LINES (3)' Volley
August 2020

Find a partner. Stand as close as you are able to, at the moment.
Walk away from each other and stop. Turn to face each other. Ask your partner a question and listen to their answer.
Walk further away and then stop. Ask your partner another question and listen to their answer. You may have to raise your voices to hear each other properly.
Keep walking and stopping.
When you can no longer hear each other, stop and return to where you started.

 



Deirdre Macleod, Playing Up 2017

BIOGRAPHY:

Deirdre Macleod explores material and other aspects of towns and cities, including the more or less hidden patterns, systems, regulations and strictures that operate within them. Her practice is informed by the discipline of Human Geography.

Within her work, she draws upon a range of fieldwork methods and observational strategies. Recently, she has begun to investigate how performative actions (for example, looking intently, rule-based walking and listening, playing made-up games and improvised group dance) can reveal, and help us understand, aspects of urban experience that might otherwise be hidden.

Deirdre studied Geography at the University of Cambridge and holds a Masters Degree in Politics from the University of Edinburgh. After working in public policy analysis and development for 16 years, she returned to study Painting at Edinburgh College of Art.

She currently teaches Art and Design and Access to Art and Design at the Centre for Open Learning, University of Edinburgh. Recently she has been Artist in Residence at the Institute of Geography, University of Edinburgh.

deirdre-macleod.com



Deirdre Macleod, Festoon 2018. Photo: Jon Davey